Aphex Twin Albums (6)
What The Critics Say
Despite threatening retirement several times, in 2001 Richard D. James finally released another Aphex Twin record. But for all this record tells listeners, he may still be in retirement. Spreading 30 tracks (most with unpronounceable titles) across two discs, Drukqs sounds less like a major new statement from electronica's best producer than the results of a Sunday afternoon's trawl through his hard drive for files he hasn't released before. Many songs here evoke the feel of recordings long since past, from the quiet ambient techno of his breakthrough, Selected Ambient Works 85-92, to the demonically extroverted programming of Richard D. James Album and the Come to Daddy EP. Stylistically, the record leans toward the later recordings, with many tracks here reprising the off-key melodies and overloaded drum programming of "Come to Daddy" or "Windowlicker." There's also little rhyme or reason to the program; James veers directly from a drill'n'bass firestorm ("Cock/Ver 10") to a delicate piano piece à la Erik Satie ("Avril 14th") to an acid-techno burner ("Mt. Saint Michel Mix") with barely a glance backward for transition. Of course, aside from all the criticism, the previously unreleased musings of Aphex Twin are still far more intriguing and solid than most producers' best releases. The opener, "Jynweythek Ylow," and "Ruglen Holon" are brilliant, inscrutable pieces reminiscent of a rusty, bygone music box or the gamelan music of Indonesia. And a few of the second-disc highlights, "Meltphace 6" and "Taking Control," chart a middle ground between the emotional ambience of early Aphex Twin and the wracked hysteria of his later work. Drukqs is a sprawling album that defies listeners to understand or enjoy it as a whole, and would've worked much better as a fan-only release than the long-awaited return of the techno vanguard's favorite producer. ~ John Bush, All Music Guide
'Richard D. James Album'
Release Date 1/28/1997
Tracks 15
Label Rhino
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What The Critics Say
Perhaps inspired by the experimental drum'n'bass being created by Squarepusher (a recent signee to his Rephlex label), Richard D. James' third major-label album as Aphex Twin was his first to work with jungle -- though, to his credit, he had released the breakbeat EP Hangable Auto Bulb almost a year earlier. Contemporaries Orbital and Underworld were beginning to incorporate moderate use of drum'n'bass in their work as well, but this album was more extreme than virtually all jungle being made at the time. The beats are jackhammer quick and even more jarring considering what is -- for the most part -- laid over the top: the same fragile, slow-moving melodies that characterized Aphex Twin's earlier ambient works. Most overtly disturbing is "Milkman," the first straight-ahead vocal track from Aphex Twin; the song is a child-like ode that gradually deteriorates into a bizarre fantasy concerning the milkman's wife. With all the Aphex Twin's curious idiosyncracies, though, Richard D. James Album is a very listenable record and a worthy follow-up to I Care Because You Do. [The American issue features the English EP "Girl/Boy."] ~ John Bush, All Music Guide
'Analogue Bubblebath III'
Release Date 1/1/1995
Tracks 13
Label Rephlex
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What The Critics Say
His first full-length release, this long out-of-print album features James's early brand of techno, indebted to acid and trance but still of a distorted quality all its own. No song titles are provided on the CD version (which comes in a slimline case with only a sticker on the front), but the LP version (enclosed in a brown paper bag) lists long decimals as the titles. Analogue Bubblebath III was re-released by Rephlex in late 1997, but again as a limited-edition issue. ~ John Bush, All Music Guide
What The Critics Say
James' most consistent work, I Care Because You Do fuses his earlier hardcore techno days with the smooth rhythm and atmosphere of his ambient work, often on the same song. "Ventolin" is one of the harshest singles ever recorded; the orchestrated closer "Next Heap With" is the highlight of the album. ~ John Bush, All Music Guide
What The Critics Say
Selected Ambient Works, Vol. 2 is a more difficult and challenging album than Aphex Twin's previous collection. The music is all texture; there are only the faintest traces of beats and forward movement. Instead, all of these untitled tracks are long, unsettling electronic soundscapes, alternately quiet and confrontational; although most of the music is rather subdued, it is never easy listening. While some listeners may find this double-disc album dull (both discs run over 70 minutes), many listeners will be intrigued and fascinated by the intricately detailed music of Aphex Twin. ~ Stephen Thomas Erlewine, All Music Guide
'Selected Ambient Works 85-92'
Release Date 1/1/1993
Tracks 13
Label Apollo
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What The Critics Say
Selected Ambient Works 85-92 is a desperately sparse album: thin percussion and several haunted-synth lines are the only components on most songs, and Richard D. James added only one vocal sample on the entire album ("We are the music makers, and we are the dreamers of dreams"). Also, the sound quality is relatively poor; it was recorded direct to cassette tape and reportedly suffered a mangling job by a cat. All this belies the status of Selected Ambient Works 85-92 as a watershed of ambient music. It reveals no influences and sounds unlike anything that preceded it, due in large part to the effects James managed to wrangle from his supply of home-manufactured contraptions. ~ John Bush, All Music Guide
