This album is what it says it is, a collection of recordings of songs from Andrew Lloyd Webber's musicals (plus "Pie Jesu" from his classical work Requiem) played in their original orchestrations by the Royal Philharmonic Orchestra, and sung in newly created choral arrangements by the Crouch End Festival Chorus. Many of Lloyd Webber's most popular songs have been included, starting with five from Phantom of the Opera, and including selections from Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Evita, Tell Me on a Sunday, Cats, Starlight Express, Aspects of Love, and Sunset Boulevard. Of course, as songs for the musical stage, these compositions were conceived for individual voices, and sometimes the massed voices singing them here lend the lyrics an odd tone. This is especially true, for example, of "Another Suitcase in Another Hall," the lament of a discarded mistress, which takes on a different coloration when dozens of women, rather than just one, are singing the main part. To get around this effect, soloists are included, drawn from both the musical theater and opera, with Lesley Garrett leading the way on "Wishing You Were Somehow Here," "Phantom of the Opera," and "Memory"; Sharon Campbell on "Don't Cry for Me Argentina"; Tito Beltrán on "Pie Jesu," and Mary Carewe on "With One Look." Now that Lloyd Webber is in the House of Lords, perhaps the time has come to begin treating him as more a light-classical composer rather than merely a writer of popular show music, or so this album would have us believe. It certainly has managed to make his music sound formal, but the music still works better on the Broadway and West End stages. ~ William Ruhlmann, All Music Guide
This overblown tribute to Andrew Lloyd Webber suffers from over-familiarity and pretensions of size. These works, created for specific characters and theatrical situations, may work beautifully on-stage, but they can seem almost silly when delivered aria-like from a concert stage. Not surprisingly, the orchestral pieces come off the best, while the singers fail to bring needed acting and interpretive skills to the lyrics. There's just not enough there to support these songs as being treated like operatic highlights. If you really loved the video concert that spawned this CD, you may enjoy having this disc as a keepsake. Webber fans will find better performances elsewhere, however, while casual listeners might do better with a Sarah Brightman collection or a compilation of actual Broadway cast performances. Also included is a two-song DVD from the concert video. ~ Neil Shurley, All Music Guide