"Locked Up"'s success provided Akon with instant heavyweight clout. Upgraded from writing songs and doing the occasional hook for B-, C-, and D-level artists, he tallied a multi-platinum album, was granted his own boutique label (which was used to spawn T-Pain), and became in-demand as an A-list collaborator -- he worked with Young Jeezy, R. Kelly, Gwen Stefani, and even Elton John. His second album, Konvicted, isn't much different from the debut (patchiness included), even though it comes from a different perspective. He even addresses his newfound fame, along with the expectations and other forms of grief that come with it, in a vague but very saddened way throughout "The Rain." For the most part, though, Konvicted offers more ultra-macho R&B. The guest spots come from Eminem, Snoop Dogg, and Styles P, leaving no room for female hooks or verses. Akon hits on strippers (but does not fall in love with them), smacks behinds, and tends to go with what suits him best: bragging and seducing while delivering like-sounding hooks in his unique voice. Whenever the yearning and heartache is allowed through, he's not persuasive, and he sounds like he still has the club on his mind. ~ Andy Kellman, All Music Guide
Senegalese-American ex-con Akon broke out with "Locked Up," a gloomy but thrilling paranoiac tail about drug running and jail time. Placed over a fittingly dramatic production worthy of 50 Cent, with a clamping beat, simple piano figure, and frightening slams of prison bars, the single set Trouble up to be a major success. Unfortunately, no other song on the album is nearly as gripping. The club tracks fall flat, most of the soul-searching moments feel forced, and the harder and more sexual tracks tend to be more silly than alluring. At its best, Trouble places you in Akon's turbulent world. At its worst, which is often, the album is excessively tedious. ~ Andy Kellman, All Music Guide