For a region so rich in sunshine and skin, Southern California is filled with angry young men. When Adema unleashed its brutal but melodic brand of alternative metal in 2001, fans of Staind, Korn, and Tool rose to the occasion, buying enough copies of the self-titled debut to see it achieve gold status. By 2004, lead singer Mark Chavez -- he's the younger half-brother of Korn's Jonathan Davis -- had left the group, a move that split fans in half. New vocalist Luke Caraccioli is more subdued than Chavez. Utilizing a fluid croon that dutifully conveys emotional resonance but shies away from the screams and explosive outbursts that defined the band's previous work, Caraccioli further cements the band's trek from beefy nu-metal doomsayers to angst-filled, mid-tempo, Evanescence-esque (say that five times in a row) radio rockers. While killer riffs and tight melodic choruses do occur ("Shoot the Arrows" and "Enter the Cage"), the bloated, 16-track run time of Planets renders the good stuff less effective. ~ James Christopher Monger, All Music Guide
Adema's self-titled debut CD on Arista is a solid modern rock album similar to Staind's Break the Cycle, Korn's Issues, Tool's Aenima, or Limp Bizkit's Significant Other. The album is not terribly challenging or revolutionary but manages to remind the listener of other hard acts without sounding derivative. That is a major success in the overpopulated genre Adema inhabits. "Giving In" was the first single released to radio and was a good choice. The highly melodic song (and "Close Friends") should be popular with fans of Staind's "It's Been a While" and Linkin Park's "One Step Closer." Some songs like "Freaking Out" have surprisingly confessional lyrics. "The Way You Like it" is a simple call to individualism that will likely connect with the band's target demographic group. Such a song rings true from a band that doesn't simply sound like their producer's previous efforts. If their debut is any indication, Adema may be a well-known force on the alternative rock scene. ~ JT Griffith, All Music Guide