702 Albums (3)
What The Critics Say
Over three years came and went between 702's second album and this one, and it continues in the group's tradition of being able to deliver a couple of solid singles surrounded by middling to fair album tracks. The biggest obstacle, beyond the trio's thin voices, is the fact that the title track, featuring an appearance from Clipse, is one the Neptunes' weakest productions; it hardly rates with the best of 702's earlier singles. "I Still Love You" is so sparse and hollow -- consisting of little more than a basic kick-drum pattern, drawn-out keyboard notes, and some hand claps -- that it seems like the Neps spent about five minutes on it, but there's an awkward, spacious charm to it. Further production help from She'kspere, Buckwild, Mario Winans, and several others does little to bolster the album's appeal. And like a lot of records released during this era, Star's impact could've been significantly increased with four or five of the weaker songs trimmed off. ~ Andy Kellman, All Music Guide
What The Critics Say
702 showed promise on their debut, but with their self-titled second effort, they're beginning to find their own voice. True, they need the help of some powerful collaborators and producers to get there -- including Rick "Dutch" Cousin, Soulshock & Karlin, and Missy Elliott, who clearly was an influence here -- but the end result is a seamless, professional contemporary R&B album that is blessed with an appealing sound and some very good songs, such as "Where My Girls At?" Like many modern-day R&B records, it's padded a little bit with filler and runs a little bit too long, but a number of really good moments here make it a true step forward for 702. ~ Stephen Thomas Erlewine, All Music Guide
What The Critics Say
702's fusion of street-oriented rap and urban soul on the group's debut album has a couple of fine moments, most notably the single "Steelo." ~ Stephen Thomas Erlewine, All Music Guide
