5ive Albums (4)
What The Critics Say
This set produced for the U.K. and Irish markets gathers up and spits out the more danceable highlights of Five's career. Completist fans may be interested in Let's Dance, but its material is in no way exclusive, having been culled from studio albums and maxi singles. That said, it does include hits like "When the Lights Go Out," "Let's Dance," "Slam Dunk (Da Funk)," and "If Ya Getting Down," as well as a few slower numbers in "Satisfied" and "Take Your Chances on Me." ~ Johnny Loftus, All Music Guide
What The Critics Say
Projecting themselves as a harder-edged, occasionally rapping British Backstreet Boys, 5ive know how to spew out an album-full of accessible tunes. The quintet has cocky humor down pat, starting with the CD booklet suggestion "Everyone who doesn't want to admit they like what they hear, we'd prefer you used the CD as a coaster." No need to worry -- the album is dizzying, fun, danceable, and all-around glowing. Listening to Invincible is like listening to a fledgling high school talent show group. The members have ambition and a youthful vibe that draws in listeners instantly; no older, matured singers are going to come up with this kind of music -- this is their time. What this also means is that to enjoy the songs one has to forgive their sophomoric lyrics ("you got me trippin because I want you bad"). Considering their target audience, their sexual prowlings are more difficult to forgive. On "If Ya Gettin' Down" they throw together the message that the group is back with a new album with the lyric "I heard somebody say she's at the party so I'm gonna get me some." It is hard to catch the messages in most of the songs because the rhythms over-compensate particularly for their individual voices (future solo albums seem unlikely). What is evident, and what mostly separates them from competing boy-bands, is that their focus is not on love songs. The one that best qualifies as a love song is the tender "You Make Me a Better Man." On its own, the song is sensitive and believable, but no intelligent teenage girl is going to believe them for a minute when the rest of the album is seeping with hormone-driven girl catching and shallow guy-talk. An exception is "Mr. Z," a song about a man who places caps on his cat's head. This truly witty tune is probably the funniest yet to show up on a boy-band album. Positivity reigns supreme on tracks like "Keep on Movin" and "How Do Ya Feel," which are melodic enough to qualify a diabetes warning on the album's cover. There are a couple of gnawing tracks -- "Serious" and a spiced up version of "We Will Rock You" -- but after finishing the album with the futuristically motivated "Battlestar" there is little doubt that these guys have what it takes to zap the musically worn. "Battlestar" has a sound and production that would have made a good idea for an entire album, one that could have made much better use of the title, ahem, "Millenium." ~ Peter Fawthrop, All Music Guide
What The Critics Say
Through the first half of the '90s, teen pop pretty much laid low, apart from Take That's dominance in England. They went virtually unheard in America, clocking in their only hit in 1995 minutes before they broke up, but they had enormous influence in the U.K., paving the way for the Spice Girls, All Saints, the Backstreet Boys, Boyzone -- and Five. Like Take That, Five is British and walks the line between rap-influenced dance-pop and adult contemporary ballads. Both sound a little calculating, but Take That had genuine charisma, which is something Five is still striving to achieve on their eponymous debut album. Charisma is something that could have carried them through the stretches of mediocre material, but it's not needed for the big guns -- "Slam Dunk (Da Funk)," "When the Lights Go Out" and "Got Da Feelin'." All three are expertly constructed singles that are delivered professionally by the group. They're infectious, catchy, perfect for the radio. They do leave a lingering impression that any similar boy band could have cut them and been equally successful, but this trio of singles show that, given the right producers and songwriters, Five is capable of turning out teen pop every bit as irresistible as *N Sync, even if they can't compete with Take That, the Backstreet Boys, and the Spice Girls (which the rest of the album proves). ~ Stephen Thomas Erlewine, All Music Guide
