Release Date: 11/18/2005
Recording Date: 11/2005
Tracks: 9
Length: 00:57:17 Hrs
Label: Hip-O Select/Motown
Type: CD
- Genre/Styles
- Disco, Urban, Quiet Storm
Album Tracks (9)
To share this media with a friend, you must have AIM installed. Click the "Download AIM" button to install AIM. If you already have AIM, click the "Send Instant Message"
What the Critics Say
The first album from the second white female signed to a Berry Gordy label was several years in the making. Singled out by Gordy from a band discovered by Hal Davis, Teena Marie -- who, as an eight-year-old, could be seen tap dancing for Jed Clampett in an episode of The Beverly Hillbillies -- signed to Gordy and spent a few years living in the household of Fuller Gordy (Berry's brother) and Winnie Martin (Jill Jones' mother). Recordings were made during this period, but nothing materialized until Rick James entered the picture. An immediately enamored James, along with his Stone City Band and fellow producer Art Stewart, helped Marie create Wild and Peaceful, an album that deserved more success but nevertheless established the singer's role in R&B's post-disco era. Formatted with three extroverted tracks on the first side and an equal number of introverted numbers on the flip, the album is a remarkable debut, even if it only hints at how far Marie's ambitions and skills would take her. "I'm a Sucker for Your Love," a free-spirited slice of disco-funk that propels bright sounds all over the place, put Marie in the Top Ten of the Black Singles chart for the first time. While not released as a single, the subdued but lavish "Turnin' Me On" indicated that Marie could seduce as easily as Chaka Khan or Patti Austin, just two of the inspirations who had suddenly become contemporaries. On the second side's "Déjà Vu (I've Been Here Before)," she reveals her deep indebtedness to Minnie Riperton, vocally and lyrically resembling adventurous-mystical songs like "Take a Little Trip" and "Close Your Eyes and Remember." (Fittingly enough, Riperton's husband, Richard Rudolph, would produce Marie's next album.) Closing the album on a heartbroken note, "I Can't Love Anymore" leaves a strong aftereffect and reminds that James, known to most as a sleazy superfreak above all else, could also write a classic Motown ballad. When the album was released, listeners had no image to go on and assumed Marie was black. [Hip-O Select's 2005 expanded edition adds three bonus tracks: the instrumental of "I'm a Sucker for Your Love," the title track from James' shelved album You Got the Love, and an alternate version of "Every Little Bit Hurts." The packaging is glossy and a little flimsy and comes with thorough liner notes and photos.] ~ Andy Kellman, All Music Guide














7/21/2008 5:40 PM
I have always loved Teena Marie. Her voice is powerful and her music speaks for itself. She has never truly recieved the true recognition she deserves. I believe she can sing any type of music and sing it well. She's not a white girl doing a black thing. She's an Artist doing her thing but her people just can't relate and can't appreciate good music.