Release Date: 6/06/1990
Recording Date: 1/1990
Tracks: 16
Length: 00:54:40 Hrs
Label: Rykodisc
Type: CD
- Genre/Styles
- Singer/Songwriter, Hard Rock, Prog-Rock/Art Rock, Glam Rock, Pop/Rock, Proto-Punk, Album Rock
Album Tracks (16)
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What the Critics Say
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise & Fall of Ziggy Stardust and the Spiders From Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Mick Ronson plays with a maverick flair that invigorates rockers like "Suffragette City," "Moonage Daydream," and "Hang Onto Yourself," while "Lady Stardust," "Five Years," and "Rock 'n' Roll Suicide" have a grand sense of staged drama previously unheard of in rock & roll. And that self-conscious sense of theater is part of the reason why Ziggy Stardust sounds so foreign. Bowie succeeds not in spite of his pretensions but because of them, and Ziggy Stardust -- familiar in structure, but alien in performance -- is the first time his vision and execution met in such a grand, sweeping fashion. [The 1990 edition features five bonus tracks: "John, I'm Only Dancing," "Velvet Goldmine," "Sweet Head," "Ziggy Stardust," and "Lady Stardust."] ~ Stephen Thomas Erlewine, All Music Guide































