Delta Nove

The Future Is When - Delta Nove

Release Date: 1/01/2006

Recording Date: 1/2006

Tracks: 13

Length: 00:00:01 Hrs

Label: Capitol

Type: CD

Guest Artists:
Genre/Styles

Album Tracks (13)

Song Title
Length
Lyrics
1.
Search web for matches
04:01
2.
Search web for matches
03:41
3.
No matches found
04:25
4.
No matches found
01:25
7.
Search web for matches
06:59
9.
Search web for matches
04:17
10.
No matches found
02:58
11.
Search web for matches
03:29
12.
No matches found
04:31
Average User Rating
Currently 0.0 / 5.0 Stars
  • 1 out of 5 stars
  • 2 out of 5 stars
  • 3 out of 5 stars
  • 4 out of 5 stars
  • 5 out of 5 stars
Views 2 Comments 0 (Write your own)

To share this media with a friend, you must have AIM installed. Click the "Download AIM" button to install AIM. If you already have AIM, click the "Send Instant Message"

What the Critics Say

Mixing Latin, funk, hip-hop, rock, jazz and everything else but the kitchen sink, Delta Nove fuses all these genres together for the happy, groovy "Get On Down" that is very warm, summery and inviting. It also seems to gel quite well despite the myriad of styles blended into one. From there, Delta Nove change course with the ska-heavy "Hard Times" that slows things down slightly. Ska is also easily heard during the homestretch of the otherwise lethargic "Bongo Bong." A couple of songs are obviously of the jam band quality, particularly the laid-back, hippie-ish "Frog N' Toad." Early on, the album is consistent with the loose and freewheeling Latin-flavored "Maraca Eu (Maraca Tu)" that falls somewhere between Sublime and the Black Crowes with some great horn solos added for good measure. Delta Nove shine during the flute-led "Sighing and Waiting" which is in no hurry to conclude. The mellow and lengthy title track is more tedious than it is enjoyable. The biggest obstacle the band has is trying to put a new face on what is basically the same feel throughout, resulting in "Giacomo" being seven winding (and at times agonizing) minutes long. The number is similar to something Santana might create with his large supporting cast behind him. The album's worst song has to be the swinging, Dixieland-oriented "Don't Burn the Beans." Shorter instrumentals such as the percussion-fuelled "Liberdade" bring to mind Paul Simon's "The Obvious Child" with its tight, hypnotic and intricate drum precision. ~ Jason MacNeil, All Music Guide

Recent Comments

Add your own comment
Currently there are no comments
1000 character maximum

Tips On Commenting

ADVERTISEMENT
Fill Up Some Playlists
Just click on ADD whenever
you see videos.
Watch free music videos, tune in to AOL Radio, get free music downloads, read music news, and search for your favorite music artists.